(12:07). one, thought I'd check it out. Kubrick Corner further points out that the Avis car rental pamphlets on the counter beside Jack could be taken as echoing the name Jack Davis. Best summary PDF, themes, and quotes. These cartoons concern Wile E. Coyote always being foiled in his attempts to catch the Roadrunner, both being tricksters but Wile E. not quite as crafty. 1. STUART: This is my secretary, Susie. Shot 10. The scene takes place after Jack dies in the snow. 83 MCU Doctor. Peter Pan's habitat was Neverland, and the two girls in blue will first appear to Danny here, who will later beckon him to come play with them forever, and ever, and ever, just as Jack will say he wishes they could stay at the Overlook forever, and ever, and ever. She is somewhere in the middle of Holden's autobiography on his troubles with leaving the more innocent world of childhood for the grim, disheartening reality of adulthood when she places the book down to dialogue with Danny and attempt to convince him that being isolated in the Colorado wilderness for the duration of the winter is a fine idea. This gives the reader the ability to picture the horror of the surroundings and also the isolation. Ullman and Watson Interview Jack, Shots 21 through 49 For a while I misinterpreted a little sculpture next to salt and pepper shakers as an elephant. Silent Jeff reveals that there is not only one tunnel, but that a second tunnel has also been blasted and wants to check the second tunnel to see if it too is leaking. (6:40) Yes, that's right, take a look at the neck of the union suit in the above Figure 44. Although there is darkness, readers arent likely to be haunted by Kings story. That Roy Clews was the author of a book about a needle mill worker (a needle guides thread) is a nice bit of serendipity. A large map is on the left wall behind a two-way radio. WENDY: Only about three months. The sound occurs with a cross-fade from the ballroom to the entrance to the kitchen, audible as we see the word FIRE appearing on the screen, the big lettering on the fire doors. GOT LITERARY FICTION In it, Lokai, a man whose body is half black and half white, requests asylum on the Enterprise, claiming he's a political refugee. 27:00 - Wendy says to Dick, "We call him Doc sometimes, like in the Bugs Bunny cartoons" (sound of "sha"). Now, in his mind, his mother deserved it just as Wendy and Danny deserve to be punished. Stuart and Bill stand talking beyond. A red-jacketed bell hop stands at stiff attention not far behind Jack and is the one who was porting bags at the elevator when Jack was earlier headed to the office. JACK: I'm Jack Torrance. Regardless, no normal hotel leaves copies of Playgirl lying around, so the magazine serves as an immediate red flag in the film. Foreshadowing is a literary device in which a writer gives an advance hint of what is to come later in the story. In the above quote in which Jack pleads with his son to run away, Danny says that it is almost over. Hes aware that the end is near and that soon the horrors will cease. The "spectator" shoes in combination with the camera is an interesting choice of attire for this opening shot. Cut to Wendy Torrance (Shelley Duvall) sitting at a dining table with her ash blond-haired son, Danny (Danny Lloyd). Dressed in red union suits (she wears two, which will eventually become apparent) with a light blue checked pinafore/jumper over them, she drinks coffee and smokes, reading a red paperback with gold lettering, The Catcher in the Rye. We can see beyond him the TV on which the Summer of 42 movie will later be played, while beyond Wendy, as already noted, we have the apartment's TV playing the Western, a parallel established between the two scenes visually, the television in each shot weighted to screen right, while Jack leans to screen left and Wendy faces to screen right, the scenes dialoguing with one another. "His last big role had been in One Flew Over the Cuckoos Nest, and between that and the manic grin, the audience automatically identified him as a loony from the first scene. It occurs very quietly about 7:07 when Stuart is talking about running the boiler and "heating different parts of the hotel". Not things that anyone can notice, but things that people who shine can see. But perhaps he does. In the first case, Jack i.e., this instantiation of the caretaker has obtained the elixir, and will return; in the second case, he has missed the chance to get it and is forever trapped in the limbo of an irretrievable past. ), In 1983, King told Playboy, Id admired Kubrick for a long time and had great expectations for the project, but I was deeply disappointed in the end result. RECEPTIONIST: His office is the first door on the left. "Ive been collecting stuff from The Shining over the years, and I just wanted to have one place where they could be organized. Unkrich was also one of the people who helped fund the Room 237 documentary. The family has progressively torn apart as the hotel works to corrupt Jack Torrances mind. As Bill sits in the chair next to Jack, Ullman tells Watson that Jack will be caretaking the Overlook that winter and that he wants Bill to walk him around the lodge. The Shining moon landing connection is the one theory that extends film and into the life and work of Stanley Kubrick in general. Kubrick's inclusion of "Woman and Dog" returns us to The Killing. (5:50) What is peculiar is that we see in this shot that both the radiant heaters to the right and left of the door leading into the "Gold Room hall" off the lobby also have forced air vents behind them. LINKS TO SECTIONS OF THE ANALYSIS ON THIS PAGE: Wendy is well aware of the danger that her husband poses when hes drunk. A little rubber yellow duck peeks out from behind the shower curtain to the left, resting on the tub's ledge. He is unsettled, and it has taken him a moment to gather himself and think how to respond. (13:56) It's an interesting way of moving the viewer's gaze. A shot of Danny's mouth wide open in horror. J. W. Kern has a beautiful page with more photos at his blog, the Golden Sieve. These angles not only seem to push the eye toward the center of the screen, they also are dynamic enough that they provide a similitude that ties these shots together. Look, I'm at the hotel and I still have an awful lot to go through. Just as with the happenings later in Room 237, we have no assurance what it is that Danny sees. In this regard, being sophisticated and cryptic, the film has widely incited scholarly interpretation, focused on psychology (the Oedipal complex, the uncanny), philosophy (the matter of time, the nature of evil), history (the massacre of Native Americans, the Holocaust), anthropology (the coeval US culture, matters of capitalism and Western societal organization), and transtextual aspects (the reworking of tropes taken from myths, fables, and horror fiction, the films role in Kubricks poetics). STUART: Well, that's very good time, very good. First, I would encourage one to take note as to how the bottom lines of the cabinetry and the hood of the range in the Boulder kitchen beautifully line up with the lines for the ceiling and the shelving at screen left in the Overlook office. Both Jack and Danny have a Mentor; however, only the boy meets his own Mentor in the first act, as in the canon. She has attempted to conceal a darker truth, in denial, wearing over it a second Wendy who encourages only looking at the bright side of things, and enjoins her son, Danny, to do the same in assuming a positive outlook on their coming isolation high in the mountains with an alcoholic father who is only five months sober and who has yet to earn back the trust of his family. But, it was inspired by Stephen Kings time at the Stanley Hotel in Colorado. The radiant heat, powered by a boiler, isn't of so much importance here, yet Kubrick has rigged it so the Overlook has both radiant heat and forced air heat. As far as options for home decorating for the lower middle classes, it was a shitty period. DANNY: Yeah, I guess so. Just mulling here, throwing out some ideas on how Z can be interpreted symbolically if one wonders if there is some meaning behind Kubrick changing the design. Such a design was used also by the Hopi. In Chapter I, when Edna and Robert return from the seashore, Edna smiles at Robert even as she retrieves her wedding ring from her husband, foreshadowing her eventual affair. The lobby of the film's Overlook is an antique white and has square terracotta color columns, dark brown wainscoting and floors decorated with a variety of American Indian derivative designs with tessellated borders that seem a mix of influences. 496 votes, 38 comments. 42 is a number that Kubrick uses repeatedly throughout his films. 81 MS Doctor from Wendy's side. THE DOCTOR: Did the appearance of Danny's imaginary friend (12:13) Therefore, as in the best midpoints, the scene contains the symbolic death of the protagonist, who will then be left powerless and lame, locked inside the pantry. BILL: Pleasure to meet you. Jack wants to bring his family to the hotel for a fresh new start but it is actually the end of their family and the end of Jack's life. How awesome is this place! It makes the audience share Danny's psychic traumas of the hotel. Foreshadowing is a plot element that hints at something to come later in the story. Jack's phone is black whereas Wendy's is white. 17 MCU of Danny. 38 - Not in the movie. Not affiliated with Harvard College. But we also got rid of that rug as quickly as we could. At the Ahwahnee, and in the film's lodge, the columns are painted at the top with borders of a repetitive design, the Overlook's being different from the Ahwahnee. A child having to navigate a world built for adults, Danny stands on a stool before the bathroom sink that is built for adult use. 27 - The varying tone of Bill's suit is due film processing. An architect goes to an old country house, hoping for some work, and realizes that it is a house he has dreamed about--a dream which ends badly. A garbage trucks license plate reads RM237. And Trixie chats online with a dinosaur toy down the street who happens to have the screen name Velocistar237.. Ullman has a bit of quirk where he often rubs his finger against the side of his nose or beneath it, bringing to mind Danny's Tony who assumes presence via Danny's index finger. Read the excerpt from The Monsters Are Due on Maple Street. Flashbacks also reveal that she has seen a marriage dissolve firsthand (her parents) and fears that what happened to them is going to happen to her. Though Kubrick did in the opening section associate Jack with the VW, having his name in the credits pass over the VW as the helicopter zoomed in on the auto, we are only working on an assumption, at this point, that the VW in the opening has anything to do with Jack. In a few minutes we will see a painting in the Boulder apartment of a horse running down a railroad track toward an oncoming train. Foreshadowing. First placed online 2007-2009 in loose form. She also wears two gold necklaces. Or he is using the Carson City film to comment on those east/west tunnels and the divide between them, which is drilled through in Carson City. Foreboding, naturalistic, surreal, horrific, suspenseful, and voyeuristic. (8:24) He's dressed in a winter sweater rather than the lighter weight raglan. Another tale concerns a ventriloquist with a dummy that turns out to be independently alive, a plot that served as basis for the later Danny Kaye film, Knock on Wood. As in, the helium balloon has become 3-d but it is still a representational toy. Yet another theory reads the film as a story about the Holocaust and concentration camps. Note also that the right corner of the room lines up perfectly with the right door jam of Danny's room in the prior shot, which perhaps indicates intentionality on Kubrick's part, the artistry of successively blending multiple scenes together physically and perhaps thus psychologically. Fig. We see how the chandeliers and the designs on the film's floor of the Overlook lobby may not duplicate the Ahwahnee's designs but are in the spirit of them. We know from King's book that Bill Watson is the summer caretaker and a descendant of the original owners of the lodge, so a certain symmetry is formed with these two caretakers seated next yet opposite each other. (11:20) Regardless, he was a particularly strange pick for the role of Dick Hallorann because the character is Black in the book. And, recollect, we have the doctor shining the bright light in Danny's eyes just previous that. The boy is a young Hero who looks for a sense of satisfaction. (16:11) WENDY: We're just going to go in the other room for a few minutes and talk, then I'll come back and check on you, 'kay? NtRK and her many potentials are waiting (13:19) In spite of being an enjoyable horror film that evokes myths and fables, The Shining does not present a rigorously canonical dramatic framework. A medium close-up now of Ullman's desk shows, among other things, his prominently displayed name plate, a black fountain pen, a pewter tankard holding more pens, a white pen next to a desk calendar, a pint-size American flag, and we notice his red and white striped shirt and red tie and blue blazer patriotically echo the flag. Lunch with Danny, Wendy, Tony, The Catcher in the Rye, and the Kensington, Shots 12 through 20 Stuart points out how uncomfortable it was to tell Jack about this history, and thus it's Jack's job to tell him it's all right. At the end of the heros journey there is the Return with the Elixir. Peculiarly, they both were able to manifest individual force fields that made the Star Trek phasers ineffective. The painting of the horse and railroad, done by an Alex Colville, is supposed by critics to be an expression of the question of whether destiny can be altered. Jack will murder the only African-American in The Shining. View Shining houses.docx from BUSINESS 530 at Moi University. The two most distinct instances of the sound here are during the two reaction shots of Jack, when he's saying his wife and child will love it there, and then again his reaction to the idea of the tragedy occurring because of people shut in together over long periods of time. Double readings are referred to frequently in the film. An additional reinforcement of tennis ball throwing as a metaphor for axe swinging is that Jack slams the ball against the floor just a few metres away from where he later kills Halloran. 39 - Not in the film. "Two tunnels?" Overall, the ghosts who appear to Jack incarnate the Shapeshifters: they are seemingly innocuous but actually subjugate him to the hotel. There seems space for another room between Danny's room and the living room. The Colorado Lounge section and the halls associated with Room 237 only use forced air heat. Danny, although only five years old, is well-aware of the troubles his parents are dealing with. Written by Polly Barbour Genre Horror Setting and Context So, in The Smallest Show on Earth the two real films used in the theaters are Knock on Wood and Comin' Through the Rye. (9:08) The camera on Jack, Ullman continues his story. My superimposition of the girls and the bloody elevator, showing spatial/design similarities. While he kills his father by trapping him in the maze and letting him die of hypothermia, Danny is resurrected since he survives his most dangerous and almost certain meeting with death at the hands of a stronger opponent. (13:39) [A lieutenant] told me theyve really gone over the place with a fine tooth comb and they didnt find the slightest evidence of anything at all out of the ordinary. He also encourages Wendy and Danny to stay with him for a while. Later, the primary conflict is between the hotel and Danny as it tries to possess him, but he stands up to the threat. (16:26) The Tetragrammaton is the 4 lettered name of God which is forbidden to be spoken for fear of blasphemy, which amounts to a an imposition of silence. 30 MCU of Jack. 2-4. The silver service he was carrying isn't on the table between the man and the blond woman, nor do we see it with the two older women. The first such sound, as I've already mentioned, occurs when Jack passes over the spot where he will attack Dick with an axe. The janitor is shown in the boiler room boosting the temperature so that, while the audience is watching films on people near dying of thirst in the parched desert, the viewers are also experiencing extreme heat that provokes thirst, and this boosts refreshment sales dramatically. 66 MCU Danny. Kubrick even uses the railroad in conjunction with a revisitation of events, something happening twice, in Eyes Wide Shut. My first thought on the designs at the height of these columns in the film had been to wonder if we might have somewhere in the Overlook the Greek Key, a meander border which was associated with the labyrinth, which would befit the maze (which we have yet to see), the Greek Key composed in such a way that when enlarged it formed a labyrinth. (13:02) There's hardly a person in 1980 who wouldn't have immediately bonded with the pedestrian situation of the lunch table and its simple sandwiches through the familiar cartoon vocabulary of a cartoon that was a shared experience. We start worrying that he may be suffering from cabin fever and, in the 144 version, that he may become physically aggressive once again. 25 - The photographs behind Bill are different than the others normally observed. (9:41) This event is subtly implied in The Shining, and it is unclear whether it happens or not. Fig. A train is mentioned in King's book, Hallorann relating that due his shining, when his brother was killed in a train derailment, he was aware of it before anyone had a chance to tell him. JACK: I'm intrigued. 21 MS Stuart's office. The theme of family bonds is one of the most important in the novel. Or did Danny manage to stop the cycle of violence from repeating forever and ever? Kings use of foreshadowing is one of the more effective literary devices at work in The Shining. WENDY: Yeah, I know. JACK: Well, if you're going to have some I wouldn't mind, thanks. Film footage displays a desert scene, the heat of the boiler is raised, everyone sweats and thirsts. 34 - The vision of the bloody elevator. THE DOCTOR: Mrs. Torrance, I don't think you have anything to worry about. This is the case for many of the windows in the filmthey dont work in context. WENDY: He dislocated his shoulder. A hotel employee who stands at the counter marking yellow sheets is not the same woman who had been at the counter when Jack arrived, and instead may be the individual who had been descending the rear stairway when Jack was headed into the office. The bathroom is predominately in pink tones. Quick. With the mention of emotional factors, Wendy has appeared to become nervous. And remember how much I love you. No, Danny said. The film ends with text over black, The Overlook Hotel would survive this tragedy, as it had so many others. As Jack continues on through the lobby, Kubrick gives us a brief glance again of the group by the door, to whom we'd believed the waiter had been carrying lunch. The only thing that can get a bit trying up here during the winter is a tremendous sense of isolation. All the views show Mount Hood's south flank. A zigzag pattern also can represent lightning, and some believe that the labrys, upon which is based the labyrinth, may symbolize lightning. The right photo is even more mysterious, perhaps showing the hedge maze with snow in the foreground, and a peculiar, vague silhouette overlaying that seems to only take on humanoid proportions through the eye looking for such, and yet also lends itself to such. The camera then gives us a view of a grouping of seats about a television set and a second grouping of seats beside a sign in the background that is difficult to distinguish here but reads "Camera Walk". In this article we offer a basic dramaturgical analysis of The Shining (in both its versions 144 and 119) using a method which follows authors such as Syd Field, Christopher Vogler, and Dara Marks: we deal with both the narrative world, i.e., the characters, their relations, and the environment in which they act, and the narrative structure. The above 2013 Creative Commons image, by the photographer J. W. Kern, shows how much Kubrick took architecturally and design-wise from the Ahwahnee. 65 MS Danny's bedroom. Silence. WENDY (indicating a seat): Please. Our writings on, and realizations of the "sha" sound are independent of each other. The camera has zoomed in full on Danny's reflection, his eyes dark, and then his eyes widen and a trace of light from the bathroom window illumines them. Foreshadowing is an effective literary device in terms of preparing readers for events to come or narrative reveals. DANNY: Tony, why don't you want to go to the hotel? (16:09) When Jack axes Dick, he emerges from concealment behind one of the columns, blended with it. The rainbow may seem a minor detail, being a sticker on a child's door, and a popular symbol so deeply embedded in culture that not much thought is devoted it, but the rainbow also features prominently in Eyes Wide Shut and demands consideration here. (15:28) 16 MCU of Wendy. View its location taken from Google street view. 88 MS Wendy from the doctor's side. Below are 15 examples of foreshadowing and irony in the James Hurst short story, "The Scarlet Ibis." FORESHADOWING. This visual arrangement almost looks like Wendy is actually being killed with the axe. 28 - The suit autocolored shows it is gray rather than brown. It makes the audience share Danny's psychic traumas of the hotel. Next, two young individuals in summery clothing pass by on their way outside, carrying tennis rackets and white balls, seemingly headed to play a game though we may notice the woman is inappropriately dressed in high heels. This is a good example of Kubrick weaving multiple metaphors into a single shot. This same man will later be seen examining the maze. JACK: Hi, I've got an appointment with Mr. Ullman. So, the sweets girl seems to exit the film and enter reality. DANNY: Because he hides. ), (5:14 crossfade from Boulder apartment ends. JACK: Pleasure to meet you. 77 MCU Danny. In the cartoon, the train sound starts and we have two whistles, this repeated again with the two whistles, then immediately thereafter Wiley E. (having believed he's escaped the train which was below him) hears a louder roaring of the train and turns to see its big white light bearing down on him inside the dark of the tunnel behind him and then there's a resounding explosive encounter. Shot 142. I'd like you to take him around the place as soon as we're through. This is a family that is either coming or going, not quite settled in yet or preparing to move along. Beside Wendy, leaning against the wall is a painting of a cartoonish red and blue dog, a lion, and a purple elephant. BILL: Well, this ought to be quite a change for ya. I'd like you to. He goes back to the Gold Room, where a party is taking place: Jack is greeted, he receives liquor at no charge, and he meets his Mentor Delbert Grady. Here is the quote: Doc, Jack Torrance said. But Tony's more independent than that. DANNY: Tony, do you think dad will get the job? Dopey is a voiceless character. These have a gematria of 42. So there are some shots where Ullman's white pen is pointed toward him and there's a cigarette in the tray; some shots where the pen is pointed away from Ullman and there is no cigarette; some shots where the pen is pointed away from Ullman and there is a cigarette. There's even a lovely ceramic inset for a cup! The Works of Ina Seidel and the Third Reich. He's gone. THE DOCTOR: Now, Danny, when you were brushing your teeth, do you remember if you smelled anything funny or saw any bright flashing lights or anything at all strange? What's the deep infrastructure? -Wendy compares the kitchen to a maze when Dick Hallorann gives her a tour of it, and jokes that she'll need breadcrumbs to find her way out of it in the winter, referencing Hansel and Gretel. We'd no idea during the bathroom scene that he had brushed his teeth, at that point he was playing with a toy in the sink. We've the same feeling of symmetry here that will be found in the halls and the Colorado Room. The sound occurs elsewhere in the movie as follows. Jacks nightmare of killing his family may be compared to a Call to Adventure, since it is the first explicit sign of murderous thoughts which are going to be construed as the new desire during the adventure. The cart swerves to avoid the dog, the case falls, bursts open, the money spills out and is swept across the tarmac by the plane's propellers. Danny is the first to make contact with the evil forces of the hotel. A baseball rests on the board between the books and the basket. -When Jack chops down the bathroom door to reach Wendy, he shouts, "Here's Johnny," a reference to the Johnny Carson show. (15:41) The television in the background, topped with and surrounded by stacks of books, shows now an old western film rather than the cartoons. Ullman's assistant stepping out for coffee, begin the crossfade from the office to the apartment back in Boulder, blue skies pouring in through the florescent boxes on the ceiling so they become as skylights, the Flatiron mountains back in Boulder filling the impossible window. You can help us out by revising, improving and updating Foreshadowing is a literary device in which authors hint at plot developments that don't actually occur until later in the story. My superimposition of the bloody elevator and Danny's bedroom, showing spatial/design similarities. Eyes Wide Shut has near its beginning an invitation to go where the rainbow ends. It frees you from any other sense of time., Its not uncommon for a films ending to change in post-production, but Kubrick changed the ending of the film after it had been playing in theaters for a weekend. (The film waits until its climax to provide the typical catharctic bloody violence of most traditional horror films - and with restraint - only one . Privacy Policy, https://bookanalysis.com/stephen-king/the-shining/review/. GOT KUBRICK AND ANTONIONI FILM ANALYSES STUART: I don't suppose they STUART: Well, obviously some people can be put off So, Kubrick has cast as his heroine an actress who departs from the strict ideal and has accentuated this, for in the documentary of The Shining Shelly exhibits indeed a striking, ethereal beauty. JACK: Hi, babe. While filming the scene in which Jack breaks down a bathroom door with an ax, Nicholson shouted out the famous Ed McMahon line from The Tonight Show Starring Johnny Carson. One could actually instead look upon Stuart as having more than fulfilled his obligation in presenting the dangers to Jack, and instead of viewing Bill with suspicion one could instead see him as looking upon Jack with suspicion, that he doesn't get a good read off Jack and wonders why he would pursue a job that would place his family in such isolation. Well, maybe things that happen leave other kinds of traces behind. STUART: Our people in Denver recommended Jack The word for Jacob's pillow is mra'ashah, something like MRAShH, headpiece, coming from an idea of headship. Shot 116. In A Clockwork Orange we have the comic of the "ghost" train, in which a photographer takes a photo of a train accident that happened a hundred years beforehand. Shot 29. The audience members are already building in their minds a plot for the hotel, and so they've every reason to assume that these characters are coming from something such as an elevator that accesses the guest areas. Jack enters the office area of the General Manager, only a corner of a secretary's desk viewed on the left, but, speaking of ambient noise again, though we don't see a secretary typing away, we assume she is there because we hear the clackety-clack of a typewriter. This information was ostensibly available to Kubrick and if he was aware of it there's the chance it could have influenced his decision to connect the Overlook with the Ahwahnee of Yosemite for reasons other than design. The point of view is largely third person but also tends to be that of Danny Torrance. Still, she has said, "and he didn't touch another drop". 38 MCU of Jack. Danny has his vision of the Overlook. Let's return to shot 21 and the red outlining the yellow in a frame on the left wall in Ullman's office. 3 - Kubrick's use of the Greek key at the beginning and end of "Lolita", initiating the execution of Quilty from it. It's difficult for me to tell. Repeatedly throughout The Shining, Kubrick bombards us with visual, auditory and conceptual hints of what is about to happen next. Fig. The Shining study guide contains a biography of Stanley Kubrick, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Tony tells Danny that he is going to remember something that Jack forgot. TOC and Supplemental Posts | Part 1 - The First Ascent | Part 2 - The Interview | Part 3 - Closing Day | Part 4 - A Month Later | Part 5 - Tuesday | Part 6 - Thursday | Part 7 - Saturday | Part 8 - Monday | Part 9 - Wednesday Part One | Part 10 - Wednesday Part Two | Part 11 - 8 AM | Part 12 - 4 PM | Films Home. One theory is that Kubrick helped to fake the moon landing and The Shining is his confession. JACK: Well, you can rest assured, Mr. Ullman, that's not going to happen with me. The Rainbow in Danny's Room and His Black-out Compared to A Clockwork Orange and the Invitation to the End of the Rainbow in Eyes Wide Shut Always the ideas of free will versus a mechanical universe are parlayed. How ambient audio unconsciously constructs and complements environment. In scenes where Bill and Jack are viewed from the rear, a complementary chord is struck, though Bill is dressed in a more tailored suit with a dark brown jacket and lighter brown pants. We will later observe compass points on a map of the maze outside on a board beside the maze. 33 - Danny speaks to Tony via the mirror in the bathroom. Oh, it's still hard for me to believe it actually happened here, but it did.

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